My Instagram followers would have seen that I’ve been experimenting with portraits (to varying degrees of success). A friend of mine showed me a drawing that she started with pencils. I haven’t used pencils in a while now, so I thought I’d give them a try.
This sketch, I worked on in 15 to 30 minute bursts over a 2 week period. As a source image, I used a photograph that I took of Mauri and Maya a few months ago. It’s a very personal and lovely moment that I’m really happy to have been able to capture. I’m looking forward to doing more pieces like this.
I’m really feeling the pencils, so I’ll probably stick with them for a bit.
Knock Knock Knock.
I hear rumblings and thrashings from big, galumphing creatures behind the door. I try to peak through the curtains, but all I see are the shadows and silhouettes of varied and strange creatures. They’re having the greatest party I’ve ever not been invited to. I’m knocking on the door with hopes that my gate crashing will be accepted. I mean I have no recourse if they don’t let me in – even if it is my own house. What do these creatures care if little old me wants to join in the party? They’re having a fine old time on their own. Still, I’d really like to go in. I am drawn inexplicably to this place. I am drawn time and again. Because, I’ve been to these parties before. I’ve drank the wine, danced on the tables and made-out in the closets. But I keep losing the password. I keep misplacing the directions… even though it’s my own house.
Still, I’m going to keep knocking. Someone’s got to come out for a smoke some time. Anyway, I’m still getting some shades of good stuff, even though I’m on the periphery. I can still hear the beat of the music, muffled though it is. I’m confident that I’ll get in, if I do the leg work.
That’s why I’m going be sketching every day, at least once, for the next month. Here are last night’s and this morning’s offerings.
On May 28th, my friend Tara Keens-Douglas and I are taking part in the Christie Pits Art Crawl.
In light of this, I’ve been thinking a lot about communication and how best to present my Art. In addition it’s made me think more closely about the dilemma of exhibition and sales.
The last time I did an Art Market, I got too focused on the idea of selling my work. I don’t think that’s how Art Markets work. I think the beauty of the art market is in growing connections with fellow artists and introducing your work to a wide range of people as they walk by. Some of my favourite moments from my last art market were being able to discuss my work with strangers and other Makers.
Thinking about selling my work is an immediately stress inducing activity. I have to switch mental gears from Maker to Sales and the shift brings to bear a bigger question of the significance of Visual Art in the lives of the common person. That analysis is fairly bleak, so in recent times, I am trying to shift my perspective from ‘sale’ to ‘sharing’.
Sharing art, as I see it, is what this blog promotes. I share my art and my thoughts and you choose to engage with it at your convenience. Similarly, perhaps a more comfortable way of thinking of exhibiting my work is simply as sharing my work with a different audience.
Don’t get me wrong. Selling work feels great. Like any job, when you work hard, the validation of being paid for it both enables you to continue doing the work as well as incentivizes you to make more work without feeling like it’s pointless. To be frank though, most people don’t buy art. Where art in the home used to be a point of meditation and reflection, now we’re staring at our choice of digital device. People seek the most affordable ways to enliven their living and working spaces, without the price tag of original artwork. Of course this is the case. The value of art is subjective and the value of money is more concrete. I’m not about to whine about something that’s so obvious.
The truth is that making art is intrinsic to who I am, and I love the opportunity to share my work with people. Beyond sales, I exhibit work because it’s empowering and inspiring. So this time around, my focus in showing is going to be centred around fostering community engagement and thoughtful discussion.
Every now and again, if you’re lucky, you experience a rare gush of creativity. It erupts out of the blue and when it does, you drop everything and dive for the brush, pen, or whatever so you can seize the magic. When you’re riding this wave, each tone you pick is the right one, and inspiration flows like an open stream. It is lovely, perfect, sexy magic.
Under the influence of this rare tide, with these pieces, I managed to do something that is usually a hard won victory in my creative process. I put down the brush and walked away at precisely the right moments.
Now gouache and watercolour are particularly tricky in this regard. With acrylic or oil, you always have a second chance should you misstep. With gouache or watercolour however, you can over work it in a heartbeat. One false dot of pigment and you have to watch your mistake bleed through the piece – forever muddying what was once crisp. When you overthink forms your brushstrokes go from bold and pure to wobbly and insipid. In each of these pieces, I felt that moment come – where my urge to blather on was held in check by the voice of experience that said – “no – it’s time to walk away” or “yes – put that brush to paper and trust where it goes”.
I’m going to continue working at this size (5″ x 7″) for a while longer. I feel that there’s a series happening here and I like its vibe. Also, now, after working on 300lb watercolour paper – I am forever spoiled. I can’t go back to 140lb. I am hardcore geeking out about it.