When to Stop

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Every now and again, if you’re lucky, you experience a rare gush of creativity. It erupts out of the blue and when it does, you drop everything and dive for the brush, pen, or whatever so you can seize the magic. When you’re riding this wave, each tone you pick is the right one, and inspiration flows like an open stream. It is lovely, perfect, sexy magic.

Under the influence of this rare tide, with these pieces, I managed to do something that is usually a hard won victory in my creative process. I put down the brush and walked away at precisely the right moments.

Now gouache and watercolour are particularly tricky in this regard. With acrylic or oil, you always have a second chance should you misstep. With gouache or watercolour however, you can over work it in a heartbeat. One false dot of pigment and you have to watch your mistake bleed through the piece – forever muddying what was once crisp. When you overthink forms your brushstrokes go from bold and pure to wobbly and insipid. In each of these pieces, I felt that moment come – where my urge to blather on was held in check by the voice of experience that said – “no – it’s time to walk away” or “yes – put that brush to paper and trust where it goes”.

I’m going to continue working at this size (5″ x 7″) for a while longer. I feel that there’s a series happening here and I like its vibe. Also, now, after working on 300lb watercolour paper – I am forever spoiled. I can’t go back to 140lb. I am hardcore geeking out about it.
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One thought on “When to Stop

  1. Well done . I think you are very talented indeed.
    There are many techniques that you mentioned that I have only heard about.Don’t know what gouache is.I will look it up on the internet.
    I did Art at Pres,Sando (1956-62) with Fergis Griffin and Ian Ali. I managed to pass at GCE. My only handicap was that I was colour blind like your Grandfather . However I do appreciate your lovely Art.
    Thanks for sharing.

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